“The One Percent”: A Fashion Show About the Occult Elite’s True Face

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Matières Fécales, a controversial Parisian fashion house, recently launched its Fall/Winter 2026 collection with a show titled “The One Percent.” Through symbolism, the show comments on the occult elite and its demonic tendencies. Here’s a look at this bizarre fashion show.

Matières Fécales is a Parisian fashion label that quickly rose to infamy due to its extreme and controversial creations. The name of the brand itself (which means faeces matter) reflects the duo’s inclinations for the bizarre and the revolting, as their works often lean on the grotesque with satanic undertones.

Hannah Rose and Steven Raj, founders of Matières Fécales.

In other words, they do exactly the type of stuff the industry likes. For this reason, they’ve been recruited by the high-priestess of the fashion industry: Michele Lamy. If you don’t know who that is, well, a picture is worth a thousand words.

Lamy is deeply connected to the entertainment industry and often takes part in symbolic photo shoots (including, of course, the one-eye sign).

In many ways, she resembles Marina Abramovic, as both are high-level witches with deep ties to the elite.

Lamy and Abramovic took part in a photoshoot together because they play the same high priestess role in the industry.

The 81-year-old Michele Lamy forms a fashion power couple with 64-year-old Rick Owens, with whom she founded the fashion company Owenscorp.

Estonian rapper Tommy Cash lies between Rick Owens and Michele Lamy in what appears to be a post-initiation picture. Rick Owens is bisexual, so one can only guess what occurred prior to this sinister picture.

Backed by these influential weirdos, Matières Fécales was quickly embraced by the likes of Lady Gaga (who is a follower of Marina Abramovic).

Matières Fécales created several of Gaga’s recent outfits, such as this Halloween display cantered on the theme of ….… dead children.

Endorsed by the elite and its industry pawns alike, Matières Fécales recently presented its 2026 Fall/Winter fashion show in Paris. And, according to the media, that show critiques the elite, supposedly.

The show’s title is based on the statistic that 1% of the world’s population owns nearly half of the world’s wealth. Considering that those behind the show are 100% in line with the elite’s agendas, I’m not sure whether that name is a critique, or a brag.

Here’s a look at the show and its symbolism.

The One Percent

Like a play, The One Percent is divided into two acts, each one addressing a facet of wealth and power. The first act depicts the aristocratic society, as models parade with items usually associated with wealth and luxury used as BDSM accessories instead.

A rich-looking man with a classic top hat worn by aristocrats at social events. A dollar bill is used as a BDSM-type blindfold.

Throughout the show, several models wear bizarre facial prosthetics. While some of them are reminiscent of the plastic surgeries wealthy women like to indulge in to look youthful (while ending up looking monstrous), these prosthetics mainly give these models a demonic, non-human appearance. Is this a message about the elite?

The two models above are reminiscent of real-life elite gatherings such as the 1972 ball organized by the Rothschilds.

This model also looks as if she’s attending an elite ball and wearing prosthetics that deform her face.

This guy has demonic/non-human/reptilian eyes. A message about the occult elite?

A balding, grotesque-looking “woman” (I’m honestly not sure) wears a giant pearl (symbol of wealth) as a gag.

This model has all-black eyes, a classic way of depicting demonic possession.

Her outfit and demeanour are reminiscent of royalty depicted in Elizabethan paintings. However, she has bulging, demonic, reptilian eyes. A message about the elite?

The second part of the show has a different feel, as the fashion and accessories lean towards the ritualistic and the all-out satanic. It is less about what the elite displays outwardly and more about what happens behind closed doors. It also reflects what the elite wants the rest of the world to be like.

A black ceremonial robe and red hair styled to look like horns: This is definitely satanic.

Out of shape, wearing lipstick, and draped in satanic garb: The elite’s ideal man.

Some models have a goth/rebellious look and are supposed to represent the “response” to the elite. Are they really rebelling? Or are they doing exactly what is expected from them?

A man (I think) in makeup and knee-high boots with a black hoodie that’s an “urban” version of the ceremonial robes.

Another member of the gender-confused, spiritual confused cult the elite wants the world to be a part of.

After this ritualistic act, the Grand Priestess herself appeared.

Michele Lamy made a spin towards the end of the show – a sinister ritual dedicated to the elite.

In Conclusion

Matières Fécales’ The One Percent is described as a “critique of the elite” and its obsession with wealth and luxury. The second act is supposed to be a response to it, where the satanic robes “become a bond, a sign of belonging.” As usual, art publications miss the point entirely and attempt to rationalize the show’s true meaning, which is staring us in the face.

Michel Lamy and her associates hover in the stratosphere of the fashion world, completely disconnected from the concerns of the average citizen. Along with the likes of Marina Abramovic, they exert control on industry slaves and dictate fashion trends that only other wealthy people pay attention to.

The One Percent is not a critique; it is a celebration. It reveals the elite’s unapologetic accumulation of wealth, and even its demonic tendencies. In the second act, it puts forth the elite’s influence on culture as a parade of sad, satanic, and gender-confused march to the beat of their elite masters.

After watching this grotesque spectacle, who would give it a standing ovation? The one percent.

Author: Edward Morgan

yogaesoteric
March 27, 2026